FILMMAKERS OF THE MONTH • JUNE 2021 • REVERE LA NOUE & ELISABETH HAVILAND JAMES
Learn more about the creators of “Overland,” the film that won Best Documentary at the 2020 Breck Film Fest.
FILMMAKER OF THE MONTH • MAY 2021 • ROBERT BROGDEN
Meet May Filmmaker of the Month, Robert Brogden. Learn more about what inspires him here.
FILMMAKER OF THE MONTH • APRIL 2021 • MATT BRADY
Matt Brady’s film “Escape from Extinction” premiered in the state of CO at Breck Film’s 2020 festival. Learn more about Brady here.
FILMMAKER OF THE MONTH • MARCH 2021 • JEN MCGOWAN
Jen McGowan’s film “On the Ride” was one of the top three most watched films at our 2020 festival. Learn more about the filmmaker herself here.
FILMMAKER OF THE MONTH • FEBRUARY 2021 • LANIE ZIPOY
Lanie Zipoy made her directorial debut with “The Subject,” which not only played at Breck Film Fest 2020 but took home 20 awards during its festival circuit.
FILMMAKER OF THE MONTH • DECEMBER 2020 • ROBIN HAUSER
Robin Hauser is the director and producer of award-winning documentaries made to illuminate causes she is passionate about. Learn about her experience in the film industry here.
FILMMAKER OF THE MONTH • NOVEMBER 2020 • NICK FRANGIONE
Nick Frangione directed “Buck Run,” which screened at our 2019 festival. Learn about his experience in the film industry here.
FILMMAKER OF THE MONTH • OCTOBER 2020 • JOHN SMITH
Jonathan Smith is a filmmaker and an improv and sketch comedian. He grew up in Alabama and Florida and graduated from Yale University. He has written and performed at the Upright Citizens Brigade and other comedy theatres. He founded Tuesday Night Thunder, a weekly indie improv night for students and veterans of the Upright Citizens Brigade. Jonathan’s online comedy videos on FunnyOrDie.com, YouTube.com, and UCBComedy.com have been viewed millions of times.
FILMMAKER OF THE MONTH • AUGUST 2020 • MARIELLE WOODS
Marielle Woods is an award-winning, queer- identifying filmmaker who thrives in the high- stakes world of action storytelling. She likes to push emotional buttons and visual boundaries, telling stories that make audiences think — with a few explosions and car chases along the way.
